The Ghost and the Darkness - in which Val Kilmer travels to colonial Africa as an engineer, but he cannot build his bridge because his village of workers keeps getting attacked by man-eating lions. Its basically Land-Jaws. He shoots one of these lions at first, but there are three of them, so two survive. His spunky friends cheer him on, but all the workers want to leave once the lions start invading camp and pulling guys out of their tents. Michael Douglass eventually shows up with a Remington and a bunch of natives. Together, the men track the lions and find their scary cave full of bones and skulls. After all the workers have fled in fear, Kilmer and Remington camp out in trees and finally kill the final lion. Then hollow bones Emily shows up with the baby, and the bridge of Tsavo eventually gets built.
Event Horizon - in which sci fi space body horror gets very fucking real, and totally gross. First, Lawrence Fishburne is a space captain named Miller, and his first mate is Joely Richardson, and she rocks. Her accent is real. A bunch of space sailors are escorting science genius Sam Neill to the wreckage of a space ship. It wasn't just a space ship, it was a massive black hole generating machine, and it recently re-emerged around Neptune, and now its just orbiting, being spooky af. To give all the details, Sam Neill, AKA Dr. Weir, is having creepy dreams about his dead wife in his cryo/gravi-sleep pod before they even get to the abandoned wreck. Oh, its called the Event Horizon. So, once the crew rolls up on Event Horizon they get nervous, because its creepy, and a few people go out to investigate the empty ship. Miller orders Dr. Weir to stay aboard their vessel, and he doesn't do a good job of listening. As soon as the crew splits up, one young guy gets sucked into the g
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