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Mother


Mother! - in which an allegory for the Bible is also an allegory for life as an artist. In the beginning, Javier Bardem creates his wife and a nice house with a magic crystal that has fire inside of it, and no one is allowed to touch it. She works on the house, and he works on his writing, and everything is fine and in service of him until Ed Harris shows up and is weird, and coughs up a heart into a toilet. Then Michelle Pfeiffer shows up to be a condescending bitch, then her two sons show up, and one murders the other, and He won't make them leave because their pain is inspiring him, and She can't make them leave because she has no power, and no one will listen to her. Things have been weird up until this point, but then they quickly spiral out of control as the family insists on holding a wake for the dead boy at their house, and a bunch more strangers come and invade, brimming with fake gratitude. I'm not really capturing the spirit of ickiness, but it was there. Then, every fan finds out where the author lives after he publishes his new work, and they come to the house in droves, to take a piece of it for themselves. Some other stuff happens, but its so gross, I don't wanna write it. Ugh.

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