Southbound - in which four or five horror vignettes brush elbows in a circular fashion, and most of them succeed. One is the story of some guys who are out committing revenge, but they can't escape the alien monster ghosts of the ones they've revenged. Another story is about some girls in a band who have a breakdown on the same road, who end up trusting the wrong helpful motorists and get tricked into joining a cult. One girl makes it out and gets hit by a car, leading to the best segment, where we follow the guy who hit her into an abandoned hospital, carrying her dying body, trying to save her in crude surgery, following commands of some weirdos on the phone. He gets his whole goddamn arm up into her thorax and it's awesome. Then he gets released, and the story switches to a guy trying to "save" his sister from a town of magic wielding freaks, but it is a fruitless pursuit. Full circle to the murder-ees from the first story. 9/10
Death Wish (1974) - in which the justice system fails a man who lost his family, and he goes off the rails in finding personal justice. I mean vengeance. Charles Bronson plays Paul Kersey, a husband and father and architect, who has a nice NYC life. One day, near the beginning of the movie, Paul's wife is murdered and his daughter is raped into a catatonic state, from which she will not likely recover. Sexist. Anyways, Paul is destroyed, so his boss sends him out to New Mexico, or another lawless state, for a 3 month long project. Paul does some recovering while he is out there, and is befriended by his big money client, with a big hat and big guns. Upon arriving back in NYC, Paul is disheartened to find his daughter in terrible condition, and his son-in-law coping poorly. There have also been no arrests in his wife's murder, as the police are very busy with a crime spree related to gang violence. Paul is a really sympathetic guy, and his pain is visible, and very real. So,...
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